I'm not the only one wondering what happened to Jack Bauer. The Wall Street Journal wants to know, too. Now, thanks to reporter Rebecca Dana, we discover he's another casualty of the war in Iraq.
24, which debuted shortly after 9/11, captured a cultural moment. Jack Bauer was more than the hero we needed, he was the answer to our prayers. No matter what terrorists, drug dealers, and recalcitrant family members threw at him, Jack struck back calmly, elegantly and with deadly force.
But by the sixth, and most recent, season, Jack's strikes became harder to condone. In fact, his tendency to break fingers, shoot kneecaps, and administer pain-causing drugs to elicit information seemed uncomfortably like, well, torture.
Before you could say “jihad,” senior U.S. military officers began criticizing 24's portrayal of torture, the New Yorker ran a critical profile, and Fox network executives fretted that the series supported the policies of an out-of-favor administration.
“Ratings dropped by a third over the course of last year's sixth season,” Dana writes. “Producers would later experience trouble casting roles, once some of the most desirable in television, because the actors disapproved of the show's depiction of torture. 'The fear and wish-fulfillment the show represented after 9/11 ended up boomeranging against us,' says the show's head writer, Howard Gordon. 'We were suddenly facing a blowback from current events.'”
Jack needed some work (and not just to fix those bloodshot eyes). Since last spring, the show's writers and producers have argued over whether to give Jack a guilty conscience, a shot at redemption, or a permanent place on the dark side.
What's interesting (besides Agent Bauer's fate and the open question of his return) is the cultural debate implicit in the series' decline. Is it a referendum on Bush policies in Guantanamo and Abu Ghraib? Are American viewers weary of the suspension of civil rights and the implementation of racial profiling? Have we concluded that we, as a nation, cannot countenance torture? Big questions like these often are better understood and processed through television story-telling than by newspaper reports. In the quiet semi-darkness of our living rooms, we can allow in the jarring revelations and unsettling epiphanies that leap too boldly from the morning paper.
That's why Peter Steinfels had such an interesting story in Saturday's New York Times. Steinfels reported that pollsters only ask Republicans if they're born-again. Then they can tell journalists the percentage of Republicans evangelical voters, and several news cycles will probe the significance of religious voters to the GOP. But since no one asks the same question of Democrats, there's no way to gauge the role of religion for those voters; the assumption is they are secularists or worse.
If 24 has cultural resonance, then some, maybe many, evangelical voters may be thinking about the ethical dilemmas in which we, as Americans, find ourselves. Maybe some will vote Democratic this year, but we'll never know from the news reports. We'll need to wait and ask Jack.