A newspaper buddy who worked (even as I write “worked” I wonder if a thesaurus might have a more accurate term: a fulsome word that evokes the 15-hour days, coffee-addled nights, hapless stake-outs, nowhere interviews, blown deadlines, spiked stories, clueless editors and then the breaking-news-with-a-front-page-byline-rush that made her, and maybe you, give up way too much for far too long) at the Baltimore Sun was fired Tuesday. Security guards escorted her from the building where she'd toiled for 20-plus years. She was one of 61 staffers—one third of the newsroom—who were laid off this week.
In a parallel bid to cut costs, the Dallas Morning News ended its religion beat, exiling its two former religion reporters to the 'burbs from where, we're assured, they can be plucked should a major story—hmm, the Second Coming—break.
Both examples should lay to rest any misconception that newspapers, as corporate entities, care about the news, much less their communities and employees. The decades when great families ran newspapers as private plantations, mingling with the townsfolk and being gracious to the help—are gone. The new masters have made their priorities transparent: the only question is who goes next.
But that does not mean the profession is doomed. Call me a cockeyed optimist, but I work at a journalism school, my academic training is in history, and my ring says “this too shall pass.” When it does, we need to be prepared. The blogosphere is filled with hopeful futuristic scenarios, and this one, at The American Prospect, sees public media 2.0 as an alternative to the legacy media. Authors Jessica Clark and Patricia Aufderheide admit that public media 1.0—whether NPR, PBS, CSPAN or foundation-backed documentaries—”was accepted as important but rarely loved.” Sapped by weak support and caught in the cultural crossfire, many of these news outlets could not meet their own objectives. But public media 2.0, with enhanced and expanded opportunities for participation through multiplatform projects, has the potential to inspire active and engaged publics.
This new world, freed from corporate poobahs more afraid of offending advertisers, subscribers and officials than pledged to speak truth to power, will need journalists to report the news. (Admittedly, sorting out the roles and responsibilities that differentiate “professional” journalists from citizen journalists will be a challenge.) Moreover, I have no doubt that a good portion of that news will reflect the impact of religious and ethical convictions on issues, decisions and activities at the individual and corporate levels. (Notwithstanding recent polls on the demise of religion, reports of its passing are greatly exaggerated. Read Nathan Schneider's review of two new books for some reasons why.)
Public media 2.0 offers a both/and solution: There is room for journalists who specialize in religion and for generalists who integrate it into their stories. The former may find a home in long-form narratives, and the latter will need expertise to report on religious and ethical issues that arise in the ongoing coverage of courts, police, health care, education, government and so on. Now more than ever, journalists need to be familiar with the hows and whys that induce people to lobby, vote, fight and kill for what they believe to be true, right and good. As specialty beats wither and experts lose their jobs, journalism educators will reconceptualize the content of their classes to meet the need for critical thinking and indepth knowledge as well as for the mastery of new media skills.
I am appalled by the Sun's treatment of its workers, and I am distressed by the Morning News' decisions. But this is the world we live in. Another world clamors to be born, and it is there I focus my attention. I don't teach students to be print reporters ready for the religion beat, I help them become multimedia journalists who understand that almost every story reflects the human need for meaning and purpose. That's why my students need to ask the hard questions, engage the tricky issues and come back with great pictures.
Diane Winston