by Maura Jane Farrelly
The Roman Catholic Church's difficult relationship with consumer culture (the realm where “choice itself becomes the good, novelty usurps beauty, and subjective experience displaces truth,” according to Pope Benedict XVI) was recently on display when Pepsico removed an ad from its “Crash the Superbowl” website that many Catholics – and some Protestants – found to be offensive.
The ad features a couple of collared clergy who come up with a brilliant strategy for getting their parishioners back into the pews: substituting Doritos and Pepsi MAX for the bread and wine that make up the Eucharist. According to Mashable, Media Wave's president, Dave Williams “felt bad” when he learned that several Catholic groups had started an online petition against the ad. I'm surprised, though, that Michael Lyons – the actor who plays the inspired priest – didn't alert Williams to the inevitable pushback. With his degree from Notre Dame, Lyons must have understood that in Catholicism, the Eucharist is no laughing matter (remember the shake-up a few years ago when the Church said an 8-year-old Celiac sufferer couldn't receive a gluten-free Host?).
Unlike most Protestants, Catholics aren't merely “remembering” Christ's Last Supper when they receive the bread and the wine. They are actually participating in that Last Supper – and receiving a Sacrament that they believe is an essential part of their salvation.
Stories about how people in the media fail to appreciate the subtle distinctions that make Catholicism different are nothing new. Lyons' involvement, however, brings to mind an unexplored layer to the story that I'd like to see journalists take on: the extent to which American Catholics, themselves, sometimes forget that “their religion was supposed to be something more than simply another faith among many others” (to quote Cornell University historian R. Laurence Moore).
Journalists could start with the group “Catholics Come Home.” For more than a decade now, this non-profit, lay-clerical partnership has been working to “harness the effectiveness of television and the power of the Internet” to “inspire, educate and evangelize inactive Catholics.” Although some of the group's ads embrace the kind of Catholic imagery that still makes some Protestants uncomfortable (priests in elaborate vestments, for instance, distributing incense throughout massive cathedrals), the ads that most frequently make it onto the air have nothing distinctively Catholic about them – and could easily have been produced by non-denominational, evangelical Protestants.
In an ad called simply “Movie,” a series of seekers walks into a warehouse, each one watching his or her life played out on film. We learn that “the movie of our life can be used to judge us,” and that each time we “ignored God's voice…our heart hardened.” We can, however, ask God to “edit” our life story, and “create the ideal ending.” The “Good News,” after all, is that “Jesus can heal your memories and forgive your past if you accept His mercy.”
I am reminded of a priest who once told me – only partially in jest – that the difference between Catholicism and evangelical Protestantism is that “in Catholicism, Jesus is not your buddy.” Salvation, for Catholics, is about much more than just listening to God's voice. It happens only through the communal body of the Church and is not something that can be affected by the individual alone.
But Tom Peterson, the founder of “Catholics Come Home,” is an ad man with more than 25 years of experience who knows his audience. The people he's pitching to are American Catholics – and, as such, they respond to messages that stress the power of the individual, even if those messages aren't particularly Catholic. What makes American Catholics different? I don't mean different from American Protestants, but different from other Catholics around the world, and different from each other? That would be an interesting issue for journalists to explore, if for no other reason than there are enough of them to bring the wheels of Super Bowl commerce to a halt.
Maura Jane Farrelly is assistant professor of American Studies and Director of the Journalism Program at Brandeis University. In the past, she was a reporter for Voice of America and Georgia Public Radio. Her first book, Papist Patriots: The Making of an American Catholic Identity, is under contract with Oxford University Press.