If there had just been the BSG miniseries – Dayeinu
If there had been the miniseries and four seasons of BSG – Dayeinu
If there had been the miniseries, the four seasons, and the Caprica pilot – Dayeinu
But The Caprican? At the very moment when journalists wonder what and if they have a future, Ron Moore reveals we have a very deep past (Did you catch the New York Times' bungling of the timeline?) If you don't, as I do, teach journalism, this may seem incidental—but it goes to the heart of what made BSG a knockout series and may do the same for Caprica: the shows' embedded humanism.
Whereas most TV dramas are good guys versus bad guys, BSG and Caprica probe the passions that enliven us. The pull of temptation, the cost of obsession, the slog to redemption (yes, yes, and yes) and then the biggest question of all: Do you need to be a carbon-based life form to own and feel these? Teetering between “must-see TV” and bloated soap opera, BSG worked because the melodrama was grounded in the quotidian: model ships, dog tags and toothbrushes. Now with all the imaginable artifacts that could draw us into Caprica's odd collision of machines, mobsters, and monotheists, there's also a newspaper—with mundane elements like ball scores, stock prices and local weather masking, as our own newspapers tend to do, the real stakes behind the stories.
So, besides reading The Caprican, here's what I look forward to as the season unfolds:
The pull of temptation: How far will Daniel Graystone go to see his daughter again? Watching Eric Stolz is so enjoyable that I almost missed his small steps into monomania. But when he sanctioned a mob hit to obtain the technology that could restore Zoe to the “real” world, the truth of his fall was undeniable. What's Graystone's real temptation? It's too early to tell whether it's scientific hubris, parental love, or the intrinsic sense of entitlement nurtured by a super-rich genius. But the impact of Graystone's fall on his wife, daughter, and society is the stuff of myth.
The cost of obsession: Ben Starks' fanatical devotion to the one true God caused the death of hundreds. If Clarice Willow's veiled glances reflect the same level of commitment, we can expect lots of righteous appeals for a rectitudinous monotheism in place of a dithering polytheism. But at what cost? The slinky headmistress is less concerned with the morality of Ben's suicide bombing than the timing. I'd vote for less talk and more action on this score. I'm all for the enactment of religious extremism, but the debating seems heavy-handed.
The slog to redemption: Hello Joseph Adams. Esai Morales' portrayal of a man torn between doing right and doing well is a lot closer to where most of us live than Eric Stolz's law-unto-himself role. Adams feels stolid and close to the ground yet caught between Tauron tradition and Caprican possibility. Disgusted by Graystone's bid to cheat death, he reaffirms his commitment to his son. Where will that lead? On BSG, Adama (note the reclaimed Tauron spelling) spoke of his father's law practice with respect and reverence. That's not what Adams was about this week.
We loved BSG because in the post-9/11 moment, it captured our consternation and confusion. Why do they hate us? Can we justify torture? What makes us human? When can we stop fighting? Moreover, it lodged these questions in the space between human passion and species survival, mediating the religious quest for meaning with the political will to win.
Caprica, going back to how this came to be, meets us in the present. This is what we face too: religious extremism, economic inequality, anti-immigrant fervor, a military increasingly dependent upon mechanized drones, the lure of the virtual worlds and the comfort of slick surfaces. Like BSG, Caprica asks, “What makes us human?” But this time, the answers seem to be coming from a place that's a lot closer to home.
Diane Winston
This is an edited version of Diane Winston's inaugural contribution to an ongoing blog-conversation about
Caprica at
Religion Dispatches. The other participants in the conversation are Anthea Butler, associate professor of religion at the University of Pennsylvania; Salman Hameed, an astronomer and assistant professor of Integrated Science and Humanities at Hamphire College; and Henry Jenkins, the Provost's Professor of Communication, Journalism and Cinematic Arts at USC.